Monday, September 30, 2019

Essays and Thesis Statements

Today we are going to talk about your essay quizzes, your journals, and then your essays for BEOWULF.  Finally, if there is time you should work on creating notes to study for your test.

1) I'm reducing the number of essays you have to write to 3, but #1 will be due on Monday (October 7th and the other two on Monday October 14th).  Note these essays should be 2-3 pages at minimum. 

2) Your test will be on Wednesday.  I'm moving it back a day to give you time to study. 


Defining the Elusive Thesis Statement                   


Thesis Statement

Your thesis statement directs all of the ideas, quote selection, and commentary in your essay. Therefore, a muddled or imprecise thesis statement will lead to an unclear or meaningless essay.

A thesis statement is NOT:

1. An abstract concept. For example, “Greed” is not a thesis statement.

2. A general “universal” truth. For example, the following sentence is not a thesis statement: “For thousands of years, man has been greedy.”

A thesis statement IS a statement that provides direction for the analysis of a theme or idea presented by a particular text. Therefore, in order to construct an effective thesis statement, you must first determine what a text is suggesting about an abstract concept (like greed, for example).
Your thesis statement will address an abstract concept PLUS the evaluation of that concept through a particular text.

A thesis statement for “The Pardoner’s Tale” might address the abstract concept of greed as it is handled in the story. The first two examples are NOT thesis statements. The third one is a complete thesis statement:

a. Greed is something that man has struggled with for centuries, as demonstrated in “The Pardoner’s Tale” by Chaucer. (Abstract Concept Only)

b. “The Pardoner’s Tale,” written by Chaucer, is a story about how three men kill one another while looking for Death. (Plot Summary)

c. “The Pardoner’s Tale,” written by Chaucer, suggests that the “deadly” sin of greed is stronger than any oath of friendship, and will ultimately lead those who give into its allure to their own destruction.




Analytical Essay Rubric


4
3
2
1
Thesis, opening paragraph. 
Student takes a clear position on the prompt/topic.  Thesis Statement is defensible.  Hook and thesis statement link.  Order of development is present and sets up how the thesis will be investigated.  Thesis connects prompt to the text as a whole.
Student has a clear and defensible thesis statement.

Thesis connects prompt to the text as a whole.
Thesis statement is attempted,

But – maybe not be defendable. 

May not be clear.  May be wordy.

May not connect to the text as a whole.
There is no recognizable thesis statement.

Or there may be multiple thesis statements.
Use of Evidence
Evidence is introduced and relevant to the thesis and analysis is thorough makes clear how the evidence connects to and defends the thesis.  Evidence is properly cited.
Evidence is introduced and relevant to the thesis.  The analysis makes connection between evidence and thesis, but the quality and/or quantity is inconsistent.  Evidence is cited.
Evidence is relevant to the thesis and there is some analysis attempted, but the analysis may be taken out of context, misinterpreted, or oversimplified. 
Evidence is attempted, but may not defend thesis or there is no connection made between evidence and the thesis. 
Sophistication of Writing
Use of prose style that is especially vivid.  Student uses rhetorical strategies such as parallel structure.  Varied syntax.  High level vocabulary.   Language consistent for an academic essay.
Student uses varied syntax.  Some high level vocabulary present.  Prose style is engaging.  Language consistent for an academic essay.
Student attempts varied syntax.  Vocabulary might be simplistic or repetitious.  Prose style is sometimes engaging but might be repetitious of ideas.  Language may not be consistent for an academic essay
Wordy, repetitious.  Vocabulary might be repetitious or the use of “to be” verbs may be overused.  Not engaging.
Grammar
1-2 errors that do not distract from reading.
2-5 errors that do not distract from reading.
More than 5 errors, or the errors present distract from reading.
Many errors.  Errors seriously distract from the reading of the text.
Length

More than 3 pages
2-3 pages
Less than 2 pages
Less than 1 page


Unit Goal:

Students will be able to write a series of short analysis papers looking at BEOWULF in five different ways.  Each short essay will connect commentary both to DIRECT TEXT EXAMPLES (cited with the correct page number!) as well as to the BOOK or TEXT AS A WHOLE.  Students will choose five from the following:
 
1. THE AUTHOR AND HER/HIS TIMES: Biographical and historical information pertinent to the novel.  What important family, community, national, and world events helped inform this material? Do not provide an exhaustive biography; merely provide those details that can be directly linked to the novel in a manner that is convincing. This is one of the few sections that will require some outside research, so please remember to cite your source(s).
 
2. FORM/STRUCTURE, PLOT: How is the novel organized and what techniques are used?  Discuss techniques such as sequencing, multiple, complex, or simple plot, foreshadowing, chapter choices.  Then, provide a BRIEF outline of the events of the plot (no more than 200 words). For some modern novels, the plot may be difficult to describe succinctly – but try to do it anyway. When you discuss structure, remember that you need to discuss the effect of the intentional internal arrangement of parts.
 
3. POINT OF VIEW/ PERSPECTIVE: From what vantage point does the reader receive the information?  Is the perspective reliable, or is it highly subjective?  How are important ideas received?  Is there an agenda that the narrator seems to have, either consciously or subconsciously? Does the perspective shift, and if so, to what end? Are characters explicit in their dialog, or does on omniscient narrator fill the reader in concerning the larger issues?  Why is the perspective used particularly effective for this novel?
 
4. CHARACTER: Are each of the characters highly developed, or is most of the writing devoted to one character? Do you learn about them through what is not included in the text?  How is character revealed for the most part? Is through what they say? What they do? What they wear? What they think? The people with whom they associate? What the narrator says about them? How complex are the people that you meet?  Describe the central characters including what you find out about their names, ages, physical descriptions, personalities, functions in the novel – in other words, the responses to the questions asked in the preceding sentence. Also include one short quotation that reveals their character, and explain why the quote reveals character.
 
5. SETTING:  Where and when does the novel occur?  How many locations are described? Are there connections between the setting(s) and character(s)? How is the atmosphere described?  Are there any important settings that contrast or parallel each other?  Why is this setting so effective in supporting the ideas in the novel as a whole? Conversely, if the setting is ambiguous, what details seem most important and what is the effect of the ambiguity? Why is this story best told in this setting? When discussing setting, remember that it does not only mean the geographical location (topography, scenery) but also the cultural backdrop, social context, and the artificial environment (rooms, buildings, cities, towns) as well.
 
6. THEME: Identify one major theme (a central or controlling idea) and explicate the theme using specific moments from the text, either paraphrased or directly quoted.  What is the abstract concept being addressed and what is the evaluation of that concept through the text? Are there any “universal” truths are revealed, supported, or challenged by this theme?  Be aware that a theme cannot be expressed in a single word, and with complex works of literary merit the elucidation of a theme requires a full paragraph or more. Also note that the theme is rarely stated explicitly, but rather is implicit. Remember that a theme has TWO (2) PARTS: An abstract concept AND the author’s commentary on  or evaluation of that concept through the text.
 
7. CRITICAL REVIEW: Find one critical review (not a Cliffs Notes or similar source) of you novel and offer your opinion of the critic’s analysis in two or three paragraphs. Attach a copy of the critical review to your paper, and cite it directly. When expressing your response to the review, be specific in your discussion. If you agree, then explain why and carry the argument beyond what the critic pointed out. If you disagree, provide support for your position from the text.
 
8. DICTION:  Analyze the novelist’s word choice.  Is the language high or formal, neutral, informal?  Does the novelist employ slang(faddish words)? Colloquialisms (nonstandard regional ways of using language(like someone from Boston asking where you “paah-ked yeh caaah”)? Jargon (language associated with a particular trade)? Dialect (think Tom Sawyer)? Is the language plain?  Flowery?  Concise?  Vulgar?  Dense?  Elevated?  Select a passage that illustrates your observations and discuss this passage directly.
 
9. SYNTAX (Sentence structure):  Analyze the sentence and phrase patterns.  Are the sentences predominantly simple, compound, or complex?  Are the sentences intentionally long and complex or are they precise and simple?  How is punctuation used?  Select a passage that illustrates your observations concerning syntax, complete the attached Style and Syntax Analysis Chart, and discuss your example specifically.
 
10. TONE:  What is the author’s attitude towards the subject of the novel?  Discuss how the author creates the tone you identified through a variety of vehicles including plot, characterization, setting, and anything else that contributes to tone. Use specific text examples to support your findings.
 
11. TITLE:  Why is this title so appropriate for the novel?  Does it have literal or symbolic significance?  Does it actually appear in the novel, and if so, what is the situation? Is the title an allusion, and if so, why would the title include this allusion? Does the title implicitly connect to the theme of the work?
 
12. MEMORABLE QUOTE:  Choose and type out one quotation that you 
believe to be significant or noteworthy.  Please explain your choice. Is it an especially moving moment? Is it especially well-written? Why does this quote stand out for you?
 
13. Symbol or literary device: Choose a symbol or literary device that you believe to be significant to this book.  Discuss how it is used, what ideas it backs up (what it means), and perhaps why the author used it.  Make sure you use examples for the text and you connect the symbol or device to the text as a whole.
 
Scale/Rubric relating to learning goal:
4 – The student can write on five different views of the book relating them to each other to form one main argument or idea.
3 – The student can write adequate on at least five selections looking at the epic poem in five different ways.
2 – With help from the instructor the student is able to write adequate on at least five selections – from the least above – looking at the epic poem in five different ways.
1 – Even with help from the instructor the student is unable to write on five selections (they maybe able to write on 1-4) looking at the epic poem in different ways. 

Wednesday, September 25, 2019

Seafarer and Wanderer Questions



Choose one of the following and write an essay. You may use your poems and scripts. You will be graded in the following ways:

Thesis statement – 5 points
Order of Development – 5 points
Proof from text – 10 points
Explanation of proof – 10 points

CHOICES

1) The seafarer’s journey is a metaphorical for the state of exile which humans have due to the sin of Adam or Eve; or it is metaphorical for the passage through life the soul takes before it reaches heaven
2) The “Seafarer” is two voices (a dialogue) – the 1st half is a young seafarer, the 2nd half is an older man.
3) Two speeches – one pagan and one Christian written by two different authors.
4) One speaker who has voluntarily exiled himself for the love of God.
5) A Celtic elegy where an exile laments his misfortunes (in this turn – the exile could be due to things that have happened)
6) Interpret the imagery of sea and birds and discuss what it means in relation to the journey.
7) A meditation on life.


THE WANDERER

The short and fleeting period of life, the transitory nature of the world, often appears as a major theme in many works. Looking at symbols, motifs, diction, tone, imagery, write a well-developed essay in which you explore this theme in the Anglo-Saxon poem, “The Wanderer”. You will be graded on the following: hook, thesis statement, order of development, proof from the text and analysis of text (30 pts). Note that just plain summation will lose points from the analysis section of the scoring. You can compare “The Wanderer” to BEOWULF in your analysis.
Dialectical Journal:


Example: "Beowulf got ready, donned his war-gear, indifferent to death; his mighty, hand-forged, fine-webbed mail would soon meet with the menace underwater" -lines 1441-1444


This is showing the way in which Beowulf prepared to meet with his late enemy's mother. It foreshadows that he will be battling underwater.

This  just repeated exactly what the line said.  There is not interpretation here.  One thing you could think about here is how the 1st part of the book there is a motif of water: Shield comes from the sea to set up the Danish dynasty; Shield returns to the sea in his funeral;  Beowulf crosses the sea to confront Grendel and save the Danes; Beowulf recounts his swimming match with Brecca and how he wore armor and carried a sword; Beowulf swims for the better part of a day to meet Grendel's mom; Beowulf leaves Denmark by sea; also Grendel and his Mom live at the bottom of a really deep pond or lake.  Okay what is going on here with water?  What does water symbols?   You could compare this with the 2nd part of the book that deals with EARTH AND FIRE.  Or think about how the Brecca episode links with the Grendel episode.

"Hygelac the Geat. grandson of Swerting, wore this neck-ring on his last raid; at bay under his banner, he defeated the booty, treasure he had won." -lines 1202-1205

Hygalec, who is the king of the Geats at this time is being foreshadowed that he will eventually die wearing this neck-ring that has been given to Beowulf as a prize for defeated Grendel. This shows a link between the past, present, and future; also showing that war is a positive thing if you die, you must go out strong and try your hardest no matter what to fight for your people.
 
This is better.  Note, most of the digressions link past, present and future.  The question is why?  How does this relate to a larger theme?

Also note, the entry says "Hygelac the Geat. grandson of Swerting, wore this neck-ring on his last raid; at bay under his banner, ". Banner here can be connected to the banner in the treasure at the end of the book. How?  Why?  In what way?

"But generally the spear is prompt to retaliate when a prince is killed, no matter how admirable the bride may be." -lines 2029-2031


I think this quote is saying that if someone's kin or someone of power is killed, "the sword" meaning like maybe society or some power will somehow get revenge for their death

This oversimplifies the line.  There is much more going on here.  What about the second half of the quote?



Think about what Beowulf is foreshadowing in this quote and think about the major themes of the book.


27. “After his death Sigemund’s glory grew and grew because of his courage when he killed the dragon, the guardian of the hoard. Under the grey stone he had dared to enter all by himself to face the worst without Fitela.” - lines 885-888.
This section recounts the tale of Sigemund, legendary dragon slayer. He is paralleled by Beowulf later in the book. Both are dragon slayers. Sigmund enters “all by himself… without Fitela.” It would be, I think, a safe guess to assume Fitela is a Pagan god. By emerging victorious without Fitela’s help, it can be inferred that Pagan gods have no influence on the outcome of fate. This is why there are conflicting ideologies of “fate” and “wyrd” in the poem. 
When Beowulf, on the other hand, enters, he attempts to take on the dragon by himself. This is an example of overstepping one’s bounds as a result of too much pride. Perhaps by giving way to the sin of pride and attempting to single-handedly defeat the dragon, Beowulf effectively forsakes God's help in the fight. This, in combination with the desertion of all his retainers but one, proves fatal for the legendary warrior.
This being so would point once more to Beowulf’s reliance on God’s hand in the favor of fate, reinforcing the importance of faith.

 Above is outstanding.


THINGS TO KNOW FOR THE BEOWULF TEST:

Texts: "The Death of Conchobhar", "Branwen, Daughter of Llyr", "The Seafarer", "The Wanderer", "The Battle of Maldoon" and Beowulf

Characters:
Hrothgar
Grendal
Beowulf
Shield Sheafson
Wulfgar
Ecgtheow
Hildeburg
Unferth
Siegmund
Hygelac
Wealtheow
Finn
Hengest
Heremod
Modthyrth
Aeschere
Freawaru
Eofor

SYMBOLS: Heorot, the fiery lake, Grendal, the dragon, Hrunting, the giant's sword, 1-2 others of your choosing.

Allusions: Cain, Christ

Themes: Pride, The Cycle of Violence, The Role of Women, The Role of Kings and Warriors, Christianity vs Paganism, Exile, Wergild and Wyrd, Kin Killing

Define and give 3-4 examples of Litotes, Kenning, Appositive, Flytes, Epic Boasts

Be able to explain the following digressions and how the digression reinforces a major theme and moves the story forward:  The Swedes-Geats Conflict, Sigemund the Dragon Slayer, Hygelac's Raid against the Friscians, Heremod and Modthyrth.

Structures: 3-part structure, 2-part structure, parallelism

You might also want to know the answers to the following questions:


  1. Describe Heorot
  2. What is important about the descriptions of Shield Sheafson?  What was his childhood like? What was has burial like?
  3. Discuss the manner in which Beowulf addresses the sentinel guarding the coast?  What is odd about it?
  4. Give two reasons Beowulf comes to Denmark.
  5. Why does Grendal attack Heorot?
  6. How is Heorot symbolized before Grendal’s coming?
  7. How long has Heorot remained empty?
  8. What is the significance of Grendal being descended from Cain?
  9. Give four examples of Kennings in the story.
  10. Give four examples of Alliteration in the story.
  11. Discuss wergild and how it has worked so far in the story.
  12. Discuss how the following themes have appeared in the story: Loyalty, Reputation, good vs. evil, Christianity vs. Paganism, role of women, role of Kings, role of the Warrior, Beowulf as a anti-war poem.  Give examples of scenes that back up each


14.  How does Beowulf become king?
15.  Who are the Geats sworn enemies?
  1.  What are some of Beowulf’s heroic exploits after Grendel and before the dragon?
  2.  How does Pride get the best of Beowulf?
  3. Which of Hygelac’s sons was killed by his brother?  What theme does this reinforced?
  4. How does the role of the warrior vs. the role of the king work in these pages?
  5. What purpose does the comparison between Beowulf and Siegmund serve? The comparison between Beowulf and Hermod?
  6. Why is the story of Finn included just before Welthow appears?
  7. Describe the lake.
  8. What does Hrothgar warn Beowulf about in his speech?
24.  Why are their ancestors so important to the warriors in Beowulf?
25.   Identify and discuss the Christian influences on the poem.



Remember that you have a quiz tomorrow on either "The Seafarer" or "The Wanderer".  Studying for the quiz should help you with the Beowulf Test.

Tuesday, September 24, 2019

Tuesday

Today we need to write sentences with the next two vocabulary words Contumacious and Jollity.

Then we need to discuss lines 2700 - 3000 in Beowulf (connect them to "The Battle of Maldon"), major themes, and structures: parallelism, sunset, end of monster #3, interweaving loops.

Note - the test on Beowulf is coming next week.

HW: Dialectical journals.  

Below is a link: 

https://docs.google.com/document/d/16U6rJLN2wxjDTaSSjFk3c277aZ14d5-XtNh3LFQMVNk/edit

Monday, September 23, 2019

Monday

Today we are going to write sentences with Surly and Surreptitious, then look at "The Battle of Maldon" and connect it with Beowulf.

After vocabulary please click on this link:
https://sites.google.com/a/skagwayschool.org/skagway-british-lit/anglo-saxon-poems

Homework: Read from lines 2750 - 3000 tonight.

HAVE FUN WITH YOUR VOCABULARY:

contempt (noun): the feelings or attitude toward a person one considers unworthy
The contempt that Jackie felt for her ex-boyfriend amounted to her burning all his photos and letters, smashing his cds with a sledgehammer, donating all his clothes to charities, cracking eggs on the hood of his car, spitting in his new girlfriend’s face, and writing a letter: “Dear Mike, you are such a bastard and I don’t deserve how you mistreated me –locking me in your closet for two days – so I pray that some hour soon, you will be impaled by a sharp object, through the stomach, and that your death ends up on the six o’clock news (by the way, I have a knife); on the day of your death, I will have a party and laugh all night with the thoughts of your suffering.”

retribution (noun): deserved punishment
Jackie’s letter of retribution disturbed Mike; he moved out of state, changed his name and phone number, and had plastic surgery done on his face. 


Remember Unit Goals:

Unit Learning goal
Students will be able to write a series of short analysis papers looking at BEOWULF in five different ways.  Each short essay will connect commentary both to DIRECT TEXT EXAMPLES (cited with the correct page number!) as well as to the BOOK or TEXT AS A WHOLE.  Students will choose five from the following:
1. THE AUTHOR AND HER/HIS TIMES: Biographical and historical information pertinent to the novel.  What important family, community, national, and world events helped inform this material? Do not provide an exhaustive biography; merely provide those details that can be directly linked to the novel in a manner that is convincing. This is one of the few sections that will require some outside research, so please remember to cite your source(s).
2. FORM/STRUCTURE, PLOT: How is the novel organized and what techniques are used?  Discuss techniques such as sequencing, multiple, complex, or simple plot, foreshadowing, chapter choices.  Then, provide a BRIEF outline of the events of the plot (no more than 200 words). For some modern novels, the plot may be difficult to describe succinctly – but try to do it anyway. When you discuss structure, remember that you need to discuss the effect of the intentional internal arrangement of parts.
3. POINT OF VIEW/ PERSPECTIVE: From what vantage point does the reader receive the information?  Is the perspective reliable, or is it highly subjective?  How are important ideas received?  Is there an agenda that the narrator seems to have, either consciously or subconsciously? Does the perspective shift, and if so, to what end? Are characters explicit in their dialog, or does on omniscient narrator fill the reader in concerning the larger issues?  Why is the perspective used particularly effective for this novel?
4. CHARACTER: Are each of the characters highly developed, or is most of the writing devoted to one character? Do you learn about them through what is not included in the text?  How is character revealed for the most part? Is through what they say? What they do? What they wear? What they think? The people with whom they associate? What the narrator says about them? How complex are the people that you meet?  Describe the central characters including what you find out about their names, ages, physical descriptions, personalities, functions in the novel – in other words, the responses to the questions asked in the preceding sentence. Also include one short quotation that reveals their character, and explain why the quote reveals character.
5. SETTING:  Where and when does the novel occur?  How many locations are described? Are there connections between the setting(s) and character(s)? How is the atmosphere described?  Are there any important settings that contrast or parallel each other?  Why is this setting so effective in supporting the ideas in the novel as a whole? Conversely, if the setting is ambiguous, what details seem most important and what is the effect of the ambiguity? Why is this story best told in this setting? When discussing setting, remember that it does not only mean the geographical location (topography, scenery) but also the cultural backdrop, social context, and the artificial environment (rooms, buildings, cities, towns) as well.
6. THEME: Identify one major theme (a central or controlling idea) and explicate the theme using specific moments from the text, either paraphrased or directly quoted.  What is the abstract concept being addressed and what is the evaluation of that concept through the text? Are there any “universal” truths are revealed, supported, or challenged by this theme?  Be aware that a theme cannot be expressed in a single word, and with complex works of literary merit the elucidation of a theme requires a full paragraph or more. Also note that the theme is rarely stated explicitly, but rather is implicit. Remember that a theme has TWO (2) PARTS: An abstract concept AND the author’s commentary on  or evaluation of that concept through the text.
7. CRITICAL REVIEW: Find one critical review (not a Cliffs Notes or similar source) of you novel and offer your opinion of the critic’s analysis in two or three paragraphs. Attach a copy of the critical review to your paper, and cite it directly. When expressing your response to the review, be specific in your discussion. If you agree, then explain why and carry the argument beyond what the critic pointed out. If you disagree, provide support for your position from the text.
8. DICTION:  Analyze the novelist’s word choice.  Is the language high or formal, neutral, informal?  Does the novelist employ slang(faddish words)? Colloquialisms (nonstandard regional ways of using language(like someone from Boston asking where you “paah-ked yeh caaah”)? Jargon (language associated with a particular trade)? Dialect (think Tom Sawyer)? Is the language plain?  Flowery?  Concise?  Vulgar?  Dense?  Elevated?  Select a passage that illustrates your observations and discuss this passage directly.
9. SYNTAX (Sentence structure):  Analyze the sentence and phrase patterns.  Are the sentences predominantly simple, compound, or complex?  Are the sentences intentionally long and complex or are they precise and simple?  How is punctuation used?  Select a passage that illustrates your observations concerning syntax, complete the attached Style and Syntax Analysis Chart, and discuss your example specifically.
10. TONE:  What is the author’s attitude towards the subject of the novel?  Discuss how the author creates the tone you identified through a variety of vehicles including plot, characterization, setting, and anything else that contributes to tone. Use specific text examples to support your findings.
11. TITLE:  Why is this title so appropriate for the novel?  Does it have literal or symbolic significance?  Does it actually appear in the novel, and if so, what is the situation? Is the title an allusion, and if so, why would the title include this allusion? Does the title implicitly connect to the theme of the work?
12. MEMORABLE QUOTE:  Choose and type out one quotation that you 
believe to be significant or noteworthy.  Please explain your choice. Is it an especially moving moment? Is it especially well-written? Why does this quote stand out for you?
13. Symbol or literary device: Choose a symbol or literary device that you believe to be significant to this book.  Discuss how it is used, what ideas it backs up (what it means), and perhaps why the author used it.  Make sure you use examples for the text and you connect the symbol or device to the text as a whole.
Scale/Rubric relating to learning goal:
4 – The student can write on five different views of the book relating them to each other to form one main argument or idea.
3 – The student can write adequate on at least five selections looking at the epic poem in five different ways.
2 – With help from the instructor the student is able to write adequate on at least five selections – from the least above – looking at the epic poem in five different ways.
1 – Even with help from the instructor the student is unable to write on five selections (they maybe able to write on 1-4) looking at the epic poem in different ways. 

Friday, September 20, 2019

Geat - Swedish Feuds

If you are having trouble with the Geats and Swedish feuds in the last section of Beowulf, here is a document that may help you:

https://docs.google.com/document/d/16U6rJLN2wxjDTaSSjFk3c277aZ14d5-XtNh3LFQMVNk/edit

Friday

Today we are going to read to 2750 and we will discuss the lines you read last night and start to outline the feud with the Swedes.  

First we will write sentences with Bellicose and Gregarious.

Some hard dates: 1) Dialectical Journals to #30 due before class on Wednesday 9/25.  All journals will be due on 9/30.  No acceptations.


Unit Learning goal
Students will be able to write a series of short analysis papers looking at BEOWULF in five different ways.  Each short essay will connect commentary both to DIRECT TEXT EXAMPLES (cited with the correct page number!) as well as to the BOOK or TEXT AS A WHOLE.  Students will choose five from the following:
1. THE AUTHOR AND HER/HIS TIMES: Biographical and historical information pertinent to the novel.  What important family, community, national, and world events helped inform this material? Do not provide an exhaustive biography; merely provide those details that can be directly linked to the novel in a manner that is convincing. This is one of the few sections that will require some outside research, so please remember to cite your source(s).
2. FORM/STRUCTURE, PLOT: How is the novel organized and what techniques are used?  Discuss techniques such as sequencing, multiple, complex, or simple plot, foreshadowing, chapter choices.  Then, provide a BRIEF outline of the events of the plot (no more than 200 words). For some modern novels, the plot may be difficult to describe succinctly – but try to do it anyway. When you discuss structure, remember that you need to discuss the effect of the intentional internal arrangement of parts.
3. POINT OF VIEW/ PERSPECTIVE: From what vantage point does the reader receive the information?  Is the perspective reliable, or is it highly subjective?  How are important ideas received?  Is there an agenda that the narrator seems to have, either consciously or subconsciously? Does the perspective shift, and if so, to what end? Are characters explicit in their dialog, or does on omniscient narrator fill the reader in concerning the larger issues?  Why is the perspective used particularly effective for this novel?
4. CHARACTER: Are each of the characters highly developed, or is most of the writing devoted to one character? Do you learn about them through what is not included in the text?  How is character revealed for the most part? Is through what they say? What they do? What they wear? What they think? The people with whom they associate? What the narrator says about them? How complex are the people that you meet?  Describe the central characters including what you find out about their names, ages, physical descriptions, personalities, functions in the novel – in other words, the responses to the questions asked in the preceding sentence. Also include one short quotation that reveals their character, and explain why the quote reveals character.
5. SETTING:  Where and when does the novel occur?  How many locations are described? Are there connections between the setting(s) and character(s)? How is the atmosphere described?  Are there any important settings that contrast or parallel each other?  Why is this setting so effective in supporting the ideas in the novel as a whole? Conversely, if the setting is ambiguous, what details seem most important and what is the effect of the ambiguity? Why is this story best told in this setting? When discussing setting, remember that it does not only mean the geographical location (topography, scenery) but also the cultural backdrop, social context, and the artificial environment (rooms, buildings, cities, towns) as well.
6. THEME: Identify one major theme (a central or controlling idea) and explicate the theme using specific moments from the text, either paraphrased or directly quoted.  What is the abstract concept being addressed and what is the evaluation of that concept through the text? Are there any “universal” truths are revealed, supported, or challenged by this theme?  Be aware that a theme cannot be expressed in a single word, and with complex works of literary merit the elucidation of a theme requires a full paragraph or more. Also note that the theme is rarely stated explicitly, but rather is implicit. Remember that a theme has TWO (2) PARTS: An abstract concept AND the author’s commentary on  or evaluation of that concept through the text.
7. CRITICAL REVIEW: Find one critical review (not a Cliffs Notes or similar source) of you novel and offer your opinion of the critic’s analysis in two or three paragraphs. Attach a copy of the critical review to your paper, and cite it directly. When expressing your response to the review, be specific in your discussion. If you agree, then explain why and carry the argument beyond what the critic pointed out. If you disagree, provide support for your position from the text.
8. DICTION:  Analyze the novelist’s word choice.  Is the language high or formal, neutral, informal?  Does the novelist employ slang(faddish words)? Colloquialisms (nonstandard regional ways of using language(like someone from Boston asking where you “paah-ked yeh caaah”)? Jargon (language associated with a particular trade)? Dialect (think Tom Sawyer)? Is the language plain?  Flowery?  Concise?  Vulgar?  Dense?  Elevated?  Select a passage that illustrates your observations and discuss this passage directly.
9. SYNTAX (Sentence structure):  Analyze the sentence and phrase patterns.  Are the sentences predominantly simple, compound, or complex?  Are the sentences intentionally long and complex or are they precise and simple?  How is punctuation used?  Select a passage that illustrates your observations concerning syntax, complete the attached Style and Syntax Analysis Chart, and discuss your example specifically.
10. TONE:  What is the author’s attitude towards the subject of the novel?  Discuss how the author creates the tone you identified through a variety of vehicles including plot, characterization, setting, and anything else that contributes to tone. Use specific text examples to support your findings.
11. TITLE:  Why is this title so appropriate for the novel?  Does it have literal or symbolic significance?  Does it actually appear in the novel, and if so, what is the situation? Is the title an allusion, and if so, why would the title include this allusion? Does the title implicitly connect to the theme of the work?
12. MEMORABLE QUOTE:  Choose and type out one quotation that you 
believe to be significant or noteworthy.  Please explain your choice. Is it an especially moving moment? Is it especially well-written? Why does this quote stand out for you?
13. Symbol or literary device: Choose a symbol or literary device that you believe to be significant to this book.  Discuss how it is used, what ideas it backs up (what it means), and perhaps why the author used it.  Make sure you use examples for the text and you connect the symbol or device to the text as a whole.
Scale/Rubric relating to learning goal:
4 – The student can write on five different views of the book relating them to each other to form one main argument or idea.
3 – The student can write adequate on at least five selections looking at the epic poem in five different ways.
2 – With help from the instructor the student is able to write adequate on at least five selections – from the least above – looking at the epic poem in five different ways.
1 – Even with help from the instructor the student is unable to write on five selections (they maybe able to write on 1-4) looking at the epic poem in different ways. 

Thursday, September 19, 2019

Thursday

Today we are going to read "The Seafarer", "The Wanderer" and "The Wife's Lament".
Note - do not lose these texts as next week you will be writing on them in class (that assignment is below).

New Vocabulary Words:

Bellicose
Gregarious
Surly
Surreptitious
Contumacious
Jollity
Referendum
Conundrum
Sybarite
Gustatory
Regale 




HOMEWORK: Read to line 2500 in Beowulf.  Work on Dialectical Journals.  Finally watch the video at the bottom of this blog. 



Choose one of the two poems to write an analytical essay. The prompts for each follow.

Seafarer

Choose one of the following and write an essay. You may use your poems and scripts. You will be graded in the following ways:

Thesis statement – 5 points
Order of Development – 5 points
Proof from text – 10 points
Explanation of proof – 10 points

CHOICES

1) The seafarer’s journey is a metaphorical for the state of exile which humans have due to the sin of Adam or Eve; or it is metaphorical for the passage through life the soul takes before it reaches heaven
2) The “Seafarer” is two voices (a dialogue) – the 1st half is a young seafarer, the 2nd half is an older man.
3) Two speeches – one pagan and one Christian written by two different authors.
4) One speaker who has voluntarily exiled himself for the love of God.
5) A Celtic elegy where an exile laments his misfortunes (in this turn – the exile could be due to things that have happened)
6) Interpret the imagery of sea and birds and discuss what it means in relation to the journey.
7) A meditation on life.


THE WANDERER

The short and fleeting period of life, the transitory nature of the world, often appears as a major theme in many works. Looking at symbols, motifs, diction, tone, imagery, write a well-developed essay in which you explore this theme in the Anglo-Saxon poem, “The Wanderer”. You will be graded on the following: hook, thesis statement, order of development, proof from the text and analysis of text (30 pts). Note that just plain summation will lose points from the analysis section of the scoring. You can compare “The Wanderer” to BEOWULF in your analysis.

Friday

The goal for today is to finish Act 1 and to look up your new vocabulary words (if I haven't given them to you).   Study Questions: S...